Awards season is ready to start and distributors are already lining their contenders. After the indie Winter & Spring and a lackluster Summer seasonl, it seems there aren't many contenders that had their releases outside of a film festival this year. Sure Thanksgiving and Christmas season always have a word to say concerning the Oscar potential of more commercial cinematic ventures, but I consider the biggest players have already screened in Cannes, Venice, Telluride and TIFF. To understand the Oscar game, we have to have some points in mind: #1 - it kinda plays like a presidential election in the way your party (AKA distributor) needs to champion the movie and land a FYC campaign; #2 - Best Picture nominees are chosen through a preferential balloting system, which means the love towards a movie plays a big part in the game while not liking the movie does not (you can't "unvote" a movie or block the AMPAS members of picking it); #3 - the first critics' award
THELMA It might well be one of my favorite films of the year! While the premise might sound a little silly it's a beautiful lullaby to the old ones who refuse to be diminished by a society that sees them as a liability. It's about a quest of an old lady to prove herself and her loved ones she's still useful as she tries to have a "Tom Cruise comeback" in her own life as she goes after the money she lost when she was victim of a burglary. June Squibb's charm iluminates the screen and she's so natural, so funny, so heart-warming and so great in this one that she proves there's no age limit to be a great leading lady! It's a comedic masterclass performance as she perfectly balances funny with inner fragility. Richard Roundtree makes for an outstanding scene-partner to Squibb and Parker Posey pulls some great laughs as Thelma's neurotic daughter Gail. Thelma avoids cheap laughs by always being grounded to the serious and noble subjects it depicts