AFTERSUN It is a character study. More than a movie, it is a memory put on celluloid and it feels deeply personal. In fact, Aftersun is not a movie to watch, it is a movie to inhabit, because it plays in its own form, in its own voice, without any worries about what audiences might think. It is also beautiful thanks to a beautifully crafted cinematography work by Gregory Oke that assures you always feel you are scoping a very private moment from one (or both) leading characters here. As for the acting, Paul Mescal and Frankie Corio are both tremendous! Mescal proves he is one of the best actors of his generation here - his is an amazing sensibility and self-awareness that allow him to be this emotionally naked and raw on-screen. He embodies the tragedy and the inner sadness and chaos of Calum and deliver it in cinematic magic form! As for Frankie Corio, she delivers one of the best child-performances you'll ever see in years - she is able to match Mescal in what I would call "...
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