Cinema and Popcorn

Genre: Drama; Sci-fi; Action Director: Steven Spielberg Writer: David Koepp Starring: Emily Blunt, Josh O'Connor, Colin Firth, Eve Hewson and Colman Domingo While I don't have that much knowledge about the Disclosure Archives and UFO theories and proof, cinematically speaking I thought Spielberg's latest is a copy paste of ideas from other movies like Arrival , E.T. and X-Men ... and they all make an alien version of the Our Lady of Fátima. Still... there are a big couple of aspects to praise and that make this movie watchable, with Emily Blunt being the greatest of them. The movie starts as a mystery thriller as two different narratives are told and you just wonder when will they intersect and in which terms: a cybersecurity expert that steals some confidential material and a weather girl who start experiencing strange things during her day. And don't take me bad for saying it (but Spielberg makes no mystery about it), but the stolen material are proof of alien exist...

June not only marks the post-Cannes awards talk and the Summer blockbuster season, but it also means most buzzy projects have already prospects of a release date and others are in talks to premiere in Venice, TIFF, Telluride or NYFF: crucial points for the awards season. While some might complain it is too early since most buzzy projects have only landed in European film festivals and American audiences and critics are different than the European ones, I believe the reception some project have received and which distributor picked it might already say a lot. Plus, it's always fun when we see which of our early picks materializes during awards season. While some questions still haunt me: Is Malick's The Way of the Wind being released, finally? Is digger another Birdman or will it be another Bardo ? Which movie or movies will get Sandra Hüller another Oscar nod (since she's destined to rule this year)? Will The Odyssey be a contender in acting and writing fields? Can the Aca...

MOTHER MARY  Anne Hathaway and, specially, Michaela Coel shine in a movie that feels really about... nothing! Stellar cinematography and inspired set pieces with some pretty smart and fluid transitions make Mother Mary impressive to look at at times, but feels like a sterile piece of filmmaking full of empty dialogue and music sequences I wish they were longer. Yes, it's the best Anne Hathaway performance since Rachel Getting Married and seeing her taking on a darker character sure is enough reason to watch it, but this film transported me to a cinematic void that didn't ignite a single emotion from me. It's a cinematic painting and maybe it's my problem that I didn't find the meaning behind it. R: 4/10 MICHAEL It's not as bad as some reactions made me believe, but it's not good either. It's a convential fan-friendly cash grabber biopic that never really explores the real Michael Jackson but makes it a Wikipedia-check cinematic journey. Jaafar Jackson s...